Square Sunglasses - Arista Gold/Grey Gradient Polarised
Arista Gold/Grey Gradient Polarised / 54
$359.99
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Only 1 left
Free delivery on orders over $120
30 day flexible returns
Visit us at 53 Hurstmere Road, Takapuna, Auckland
Order before 3pm for same-day dispatch
Description
The Square is Ray-Ban's flat-fronted metal frame, a thin wire rim drawn as a square with softly rounded corners. Adjustable nose pads, wire temples, and a front that sits wider and straighter on the face than the round or aviator shapes.
Arista gold with tortoise temple tips, and a grey gradient lens that runs dark across the top and clears towards the bottom. The gradient keeps the top of the lens doing the work against overhead light while the lower half stays open, so faces and detail up close are easier to read.
The lens is polarised, which cuts reflected glare off water, wet road and glass rather than just dimming it. One lens width, 54mm, which on a square front is a generous size.
Fit
- Style code RB1971 9147/78 54
- Square metal frame with rounded corners and adjustable nose pads
- Lens width 54mm
Fabrication
- Gold metal frame with tortoise temple tips
- Grey gradient lenses, polarised
- 100% UV protection
Size & Fit
For sizing assistance, please contact us or visit us at 53 Hurstmere Rd, Takapuna.
Shipping & Returns
Shipping
- Free standard shipping on orders over $120
- Outlet items don't count towards free delivery
- Express shipping (1–3 working days): $6.95
- Order before 3pm for same-day dispatch, otherwise next business day
- Rural delivery may take an additional 1–2 days
Returns
- 30-day returns
- Full-price items: full refund to original payment method
- Sale items: store credit or exchange
- Final Sale items: no returns or exchanges unless faulty
- Items must be unworn with tags attached
- Start a return from your account page or contact us
About Ray-Ban
Ray-Ban began in 1937 with a commission from the US Army Air Corps: build a lens pilots could trust against glare at altitude. The result became the Aviator, and the Wayfarer followed in 1952, two of the most recognised and most copied designs in eyewear history. Nearly a century on, the icons remain in production largely unchanged while a new generation of designs, from bio-based frames to the sculptural Puffer series, keeps the catalogue moving. Few brands span military kit, film wardrobes and everyday essentials in the same breath.
